Warm Sand Rolling Dining Chair with Winged Back
24"W x 26"D x 33"H
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Warm Sand Rolling Dining Chair with Winged Back
Warm Sand Armless Rolling Dining Chair with Winged Back | 24 Inch | Dining Chair
Same form as the other versions in this series -- curved winged back flanges, no arms, upholstered plinth body close to the floor on rolling casters -- in warm sand where the tone sits between cream and taupe, warmer than grey and cooler than off-white. The warm sand is the version that works most widely across different table materials: it reads as warm beside cool stone or glass, as neutral beside warm wood, and as a soft accent beside darker materials. That tonal flexibility makes it the finish that requires the least coordination with the surrounding room.
At a dining table the warm sand chairs read as a considered but unassertive choice -- they contribute the form of the winged back and the rolling plinth body as visual interest without introducing a color note that demands attention. In evening lamplight the warm sand reads warmer than it does in daylight, connecting to the yellow-warm register of incandescent light rather than sitting as a cool neutral. That shift is the color's most useful quality: it reads as proper warm in the lighting condition where dining rooms are most often used.
At 29.7 pounds and 24 by 26 by 33 inches the practical characteristics are identical to the other colorways. The curved winged back flanges provide the same partial back enclosure regardless of finish -- the form reads the same at any color; only the tonal relationship with the table and room changes. The rolling casters maintain their function across all versions.
- Dimensions: 24W x 26D x 33H inches
- Weight: 29.7 lbs
- 100% polyester upholstery -- poplar multi-layer board and LVL frame -- high density foam
- Armless form -- curved winged back flanges -- upholstered plinth body -- rolling casters -- warm sand fabric
24"W x 26"D x 33"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice