Tan Leather Armless Slipper Chair, Grid Tufting
42.5"W x 43.3"D x 31.9"H
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Tan Leather Armless Slipper Chair, Grid Tufting
Tan Leather Armless Slipper Chair with Grid Tufting | 42 Inch | Slipper Chair
Same form as the oat version -- armless, rounded back crown, grid tufting on back and seat, small feet, wide low footprint -- in top grain tan leather that changes how the tufting reads entirely. In leather the grid pattern is fully legible: each square pocket casts a shadow at its seam lines and the pattern reads as a distinct surface composition rather than as subtle relief. The form that appears softly textured in woven fabric becomes more graphically defined in leather -- the same geometry, a different material weight.
The tan cognac is warm enough to connect naturally to wood floors, brass, and natural materials without requiring those elements to be present. It also introduces something the oat version doesn't: a surface that develops character over time. Top grain leather will show the most-used zones -- the center of the back cushion, the front seat edge, the area where hands push down when rising -- as a slight patina difference from the less-handled portions. In the tan the aging will read clearly; it is not a finish that hides use.
At 67.8 pounds, half a pound heavier than the oat version, the practical characteristics are identical -- same footprint, same seat height, same frame construction. The choice between the two finishes is material preference: the oat recedes into a natural palette while the tan leather brings forward a warmer, more deliberate material presence. Paired with the matching leather ottoman in the same series, the two pieces read as a considered unit at the same quality register.
- Dimensions: 42.5W x 43.3D x 31.9H inches
- Weight: 67.8 lbs
- 100% top grain leather upholstery -- solid red meranti and plywood frame -- high density foam core with feather and fiber top
- Armless form -- rounded back crown -- grid tufting on back and seat -- tan cognac leather
42.5"W x 43.3"D x 31.9"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice