Plum Purple Upholstered Dining Chair
24.75"W x 26"D x 32.25"H
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Plum Purple Upholstered Dining Chair
Deep Plum Upholstered Dining Chair with Arched Barrel Back and Square Slab Legs | Fully Upholstered Armchair
The color makes the form more present. Deep wine plum on a continuous upholstered surface, arched barrel back flowing without break into the arms, four thick square slab legs extending to the floor, reads as a resolved sculptural object rather than a typical dining chair. No exposed frame, no wood accent, no material contrast to dilute the chromatic effect. The 100% polyester fabric holds the color consistently across the curved back face, the arm faces, and the legs, the plum tone reading as deep and saturated in flat daylight and warmer, more wine-red under evening lamp.
At 24.75 by 26 by 32.25 inches this is a substantial dining chair for its category. The barrel back and continuous arm make the chair read wider from the front than its seat depth suggests. Square slab legs in place of tapered or rounded legs reinforce the deliberate, architectural quality of the form. The mistake to avoid: treating this as an accent chair when it works best as the primary seating material. A full set of plum-upholstered chairs around a wood or stone dining table eliminates the need for any other chromatic decision in the room. At 38 lbs it repositions with one person.
The Clara Dining Chair from Moe's Home Collection measures 24.75 inches wide by 26 inches deep and 32.25 inches tall. 100% polyester upholstery in deep plum with iron frame, fully upholstered continuous form including arms and slab legs. At 38 lbs it repositions easily.
- 100% polyester upholstery in deep plum, continuous surface, no exposed frame or material contrast
- Arched barrel back flowing into arms, four thick square slab legs
- Deep wine plum reads saturated in daylight, warmer and more red under lamp
- 24.75"W x 26"D x 32.25"H | 38 lbs
24.75"W x 26"D x 32.25"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice