Pink Swivel Upholstered Dining Chair
25.6"W x 25.6"D x 31.9"H
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Pink Swivel Upholstered Dining Chair
Heritage Pink Faux Mohair Swivel Dining Chair with Curved Back | 32 Inch | Dining Chair
Same compact swivel form as the forest green version -- curved back wrapping into the seat, drum silhouette above a dark circular base, 25.6 square at 31.9 high, 360-degree rotation. The heritage pink shifts the dining chair into a specific color register: dusty rose with enough grey in the tone that it reads as a considered, slightly aged pink rather than a bright or saturated one. It is the pink that belongs in a room rather than sitting on top of it.
At the dining table the heritage pink reads as warm and soft in daylight, the muted tone integrating with warm woods and warm whites in the way a more saturated pink would not. The dusty grey undertone in the heritage color keeps the chair from reading as overtly decorative -- it is the tone that appears in traditional textiles and aged plaster, which gives it a stable quality that works in vintage-leaning, eclectic, or warm-neutral dining rooms. In evening light the tone warms noticeably toward the rose end, the grey receding under warm incandescent light, and the faux mohair pile's directional sheen adds depth to the surface that flat upholstery cannot replicate.
Four to six at a standard dining table. The compact 25.6-square footprint allows comfortable circulation around the table even at six chairs. PU foam and plywood frame. At 41.5 pounds the chair is heavier than its size implies and reads with corresponding stability in a dining room setting.
- Dimensions: 25.6W x 25.6D x 31.9H inches
- Weight: 41.5 lbs
- Faux mohair upholstery -- PU foam -- plywood frame
- Upholstered swivel dining chair -- curved back wrapping into seat -- compact drum silhouette -- dark circular swivel base -- 360-degree rotation -- heritage pink faux mohair upholstery
25.6"W x 25.6"D x 31.9"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice