Oatmeal Modular Corner Chair with Oak Base
40"W x 40"D x 30"H
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Oatmeal Modular Corner Chair with Oak Base
Oatmeal Corner Chair Module with Rounded Arms and Oak Block-Foot Base | 40 Inch | June Collection Modular Chair
The corner chair is a 90-degree module. Two padded back-and-arm panels meet at the interior angle, each arm face a thick upholstered slab, the corner itself fully cushioned as an enclosed nest for the sitter. The seat cushion occupies the full square footprint beneath, the oatmeal fabric continuous across seat, back panels, and arm faces. The base is a low oak veneer platform with four rounded block feet visible beneath the perimeter, the warm wood reading as a material transition between the pale upholstery and the floor.
At 40 by 40 by 30 inches this is a proper corner module, not a scaled-down accent chair with a right-angle back. The posture it creates: both arms are present and equivalent, the sitter positioned centered in the corner and surrounded rather than merely supported. Two throw pillows are included. The oatmeal fabric, a 72% polyester and 28% acrylic blend, has visible weave texture at close range, the surface catching light slightly differently across the curved arm faces and the flat seat. At 83.8 lbs it holds position. No assembly required.
The June Corner Chair from Moe's Home Collection measures 40 inches wide by 40 inches deep and 30 inches tall. 72% polyester, 28% acrylic upholstery in oatmeal, oak veneer platform base with rounded block feet, foam, feather, and fiber fill, two throw pillows included. At 83.8 lbs it holds position. No assembly required.
- 72% polyester, 28% acrylic blend in oatmeal, foam/feather/fiber fill
- Two upholstered back-and-arm panels meeting at 90 degrees, fully upholstered interior corner
- Oak veneer platform base with four rounded block feet, warm wood at floor level
- 40"W x 40"D x 30"H | 83.8 lbs | Two throw pillows included
40"W x 40"D x 30"H


Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought

The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference

The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice