Oatmeal Armless Modular Accent Chair, Oak Base
35"W x 40"D x 30"H
Ships in : 7-12 Business Days
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Oatmeal Armless Modular Accent Chair, Oak Base
Oatmeal Armless Slipper Chair with Rounded Back and Oak Block-Foot Base | 35 Inch | June Collection Modular Chair
No arms, no corner. The slipper chair reduces the June vocabulary to its minimum: a single back panel with gently rounded top corners, a thick seat cushion, the oatmeal fabric covering both surfaces and wrapping cleanly to the oak veneer platform base below. The back is relatively low, designed for relaxed seating posture rather than upright support, its softened top edge reading quietly against any room backdrop. One lumbar pillow is included.
At 35 by 40 by 30 inches this is the most compact module in the June collection, the 35-inch width narrow enough to work as a standalone accent chair or to attach to any other piece in the series. The 40-inch depth provides a generous seat, not a trimmed version. The oak veneer platform with its four visible rounded block feet appears at the same height as throughout the collection, the warm medium wood tone consistent against the pale oatmeal fabric. At 68.6 lbs it repositions with some effort. No assembly required.
The June Slipper Chair from Moe's Home Collection measures 35 inches wide by 40 inches deep and 30 inches tall. 72% polyester, 28% acrylic upholstery in oatmeal, oak veneer platform base with rounded block feet, foam, feather, and fiber fill, one lumbar pillow included. At 68.6 lbs it repositions with some effort. No assembly required.
- 72% polyester, 28% acrylic blend in oatmeal, foam/feather/fiber fill
- Single back panel with gently rounded top corners, no arms
- Oak veneer platform base with four rounded block feet, warm wood visible at base
- 35"W x 40"D x 30"H | 68.6 lbs | One lumbar pillow included
35"W x 40"D x 30"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice