Oat Rolling Barrel-Back Dining Chair
26"W x 26.5"D x 32.25"H
Ships in : 7-12 Business Days
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Oat Rolling Barrel-Back Dining Chair
Flecked Oat Upholstered Rolling Dining Chair with Barrel Back | 32 Inch | Dining Chair
Same barrel-back form on casters as the slate blue version -- in a flecked oat fabric that changes the chair's room reading entirely. The flecked oat is pale and textured: an off-white ground with subtle tonal flecking that gives the surface a woven character at close range and reads as a warm neutral from across the room. Where the slate blue version introduces a cool tonal note at the table, the flecked oat version disappears into pale rooms -- a warm neutral volume at dining height that adds seat mass without adding color.
In a room with natural oak, linen, and pale plaster the oat chair integrates into the material language rather than defining it. In a room with a darker table or more active materials the pale upholstered form provides visual rest at each seat position. All practical notes are identical to the slate blue version: the caster clearance requirement, the 33-pound mobility, the comfort argument at the table.
The flecked texture adds one nuance the solid-color versions lack: the surface reads as slightly warmer and more tactile at close range, the woven variation visible when seated beside the chair. That texture quality is more consequential in a pale upholstery than in a dark one -- there is less surface interest in a smooth pale fabric, and the flecking provides it without adding pattern.
- Dimensions: 26W x 26.5D x 32.25H inches
- Weight: 33 lbs
- Solid wood and plywood frame -- 100% polyester upholstery
- Fully upholstered barrel back -- continuous back-to-arm wraparound -- upholstered armrests -- skirt-to-floor base -- caster wheels -- flecked oat polyester fabric
26"W x 26.5"D x 32.25"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice