Light Brown Channeled Dining Chair with Slab Base
20.1"W x 24.2"D x 33.9"H
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Light Brown Channeled Dining Chair with Slab Base
Light Brown Channeled Dining Chair with Upholstered Slab Base | 34 Inch | Dining Chair
The chair's form is monolithic: fully upholstered from the top of the back to the floor, iron frame concealed within. The base is two wide upholstered slab legs that are continuous with the seat body -- no wood visible, no metal, no transition between the seat and the structure below it. Vertical channel stitching runs from the top of the back through the seat in a series of parallel seams, adding surface definition to what would otherwise read as a plain upholstered block. From across the room the chair reads as a composed rectangle above two upholstered feet -- simple, architectural, and unlike most dining chairs in how completely it hides its construction.
The light brown is a warm medium tone -- between taupe and khaki, absorbing warmth in lamplight. At a dining table in natural wood the brown reads as a warm tonal companion; at a darker table it reads as the lighter note. The vertical channels add surface movement to the brown field: when a group surrounds a table the stitching creates a quiet rhythm at the dining seats, the parallel seams catching and releasing shadow as the light shifts through the day.
The practical trade-off worth stating: the upholstered slab base structure means there is no clearance for tucking the chair partially under the table as a conventional legged chair would allow. The footprint at the table is the full depth of seat plus base. Allow for that in the table arrangement. At 29.5 pounds the chair pulls in and out easily regardless.
- Dimensions: 20.1W x 24.2D x 33.9H inches
- Weight: 29.5 lbs
- 100% polyester upholstery -- iron frame -- foam
- Fully upholstered body -- vertical channel stitching -- two upholstered slab legs -- no armrests -- no exposed frame -- light brown polyester
20.1"W x 24.2"D x 33.9"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice