Grey Rolling Curved Barrel-Back Dining Chair
26"W x 26.5"D x 32"H
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Grey Rolling Curved Barrel-Back Dining Chair
Grey Upholstered Rolling Dining Chair with Curved Barrel Back | 32 Inch | Dining Chair
Same curved barrel back on casters as the off-white version -- in a medium grey polyester that reads as a cool neutral. The grey tone sits at a specific mid-point: warmer than a blue-grey, cooler than a warm taupe, without committing strongly to either temperature. In a room with natural oak or warm wood the grey reads as a composed contrast note at the dining seats. In a room with cooler materials -- grey stone, plaster walls, steel -- the chair integrates without creating tonal friction.
The grey is where to look when neither the pale off-white nor the slate blue is quite right for the surrounding room. It adds seat presence at the table without introducing warmth or coolness at the same time -- a genuinely neutral choice in a range where most colors are pulling in some direction. The form reads the same from across the room as any other color in this series: a rounded floating upholstered volume above a concealed skirt base with invisible casters.
At 34 pounds it moves easily from the table. The clearance requirement and footprint are identical to the other color versions. The grey reads slightly differently in lamplight -- the cool tone can soften toward warm in incandescent or candlelit conditions, which is worth noting for evening dining rooms where the fabric tone matters more than in daylit settings.
- Dimensions: 26W x 26.5D x 32H inches
- Weight: 34 lbs
- Solid wood and plywood frame -- 100% polyester upholstery
- Fully upholstered curved barrel back -- sloped arm sides -- upholstered armrests -- skirt-to-floor base -- caster wheels -- medium grey polyester fabric
26"W x 26.5"D x 32"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice