Golden Yellow 3-Piece Concave Modular Sectional
242.1"W x 39"D x 28.3"H
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Golden Yellow 3-Piece Concave Modular Sectional
Golden Yellow Three-Piece Concave Curved Sectional | 242 Inch | Sectional Sofa
Three concave pieces assembled into a 20-foot gathering arc -- the combined form creates a near-horseshoe at this scale, both ends projecting far forward and the center receding deeply. The three-piece concave is not a larger version of the two-piece; the tighter angle at three sections produces a qualitatively different spatial experience. The arc at 242 inches nearly encloses a zone in front of it. The seating faces a defined interior. Whatever the arc faces -- fireplace, view, a low coffee table -- is contained within the curve rather than simply faced by it.
The angular mitered end panels on each outer side reinforce the composed, intentional geometry of the form at each terminus. Three seam lines in the back panel mark the two piece joints, but the overall reading across the back is of a single long arc. This is a form that belongs in rooms with genuine scale -- double-height ceilings, large open plans, rooms where 20 feet of seating does not crowd the space but rather gives the room its proportional anchor.
In golden yellow at this scale the color and the arc together read as the primary design decision of any room they occupy. At 268.5 pounds combined this requires the full range of advance planning: room dimensions, delivery path, and permanent layout committed before purchase.
- Dimensions: 242.1W x 39D x 28.3H inches combined
- Weight: 268.5 lbs combined
- 100% polyester upholstery -- foam and fiber seat and back -- plywood frame
- Three-piece modular armless sectional -- concave arc configuration -- mitered angular end panels at both ends -- integrated seat and back -- no visible legs -- low profile -- golden yellow polyester
242.1"W x 39"D x 28.3"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice