Dark Green Modular Ottoman with Oak Base
36.25"W x 36.25"D x 19.25"H
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Dark Green Modular Ottoman with Oak Base
Dark Green Upholstered Square Ottoman with Pillow-Top Cushion | 19 Inch | Ottoman
The ottoman that completes the 36.25-inch square grid: same footprint as the corner chair and slipper chair in the series, at 19.25 inches of height. The top is pillow-top in character: the memory foam cushion extends slightly past the edges of the base and rounds at the corners, giving the form a softer, more upholstered quality than a flat-top ottoman. The slight overhang and rounding at the edges reads as deliberate softness at the form's perimeter. The fully upholstered block base in the same dark forest green brings the visual mass to floor level without hardware or frame interruption.
At 36.25 square and 19.25 high the ottoman in the Cates arrangement: directly in front of the slipper chair the two pieces read as a composed pair at matching scale, the chair's seat height and the ottoman's cushioned surface scaling in proportion. In front of the corner chair it occupies the angle of the L. In the center of a seating group it provides the zone's low soft surface in the same dark green that the surrounding pieces establish, a coffee table replacement with the textile quality the series carries throughout.
At 30.86 pounds the ottoman repositions readily. In natural light the pillow-top edge reads as a soft rounded form; in warm lamplight the dark green surface deepens toward the near-black-green register the series occupies at low light.
- Dimensions: 36.25W x 36.25D x 19.25H inches
- Weight: 30.86 lbs
- 100% polyester upholstery, memory foam and fiber cushion, foam base
- Square upholstered ottoman, pillow-top cushion with rounded edges, fully upholstered block base, no visible legs, dark forest green polyester
36.25"W x 36.25"D x 19.25"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice