Dark Brown Modular Slipper Chair with Oak Base
35"W x 40"D x 30"H
Placing a back order reserves this piece for you. We charge your card at checkout, hold the piece in your name, order it from the maker, and take that unit out of available inventory.
If you need to cancel:
- Within 24 hours of purchase: cancel with no fee.
- After 24 hours, before the order ships: a flat 10% administrative fee is deducted from your refund. It covers credit card processing, freight booking and order handling costs already incurred.
A longer lead time on a back order does not waive this fee.
Full details are in our Purchase Terms.
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Dark Brown Modular Slipper Chair with Oak Base
Placing a back order reserves this piece for you. We charge your card at checkout, hold the piece in your name, order it from the maker, and take that unit out of available inventory.
If you need to cancel:
- Within 24 hours of purchase: cancel with no fee.
- After 24 hours, before the order ships: a flat 10% administrative fee is deducted from your refund. It covers credit card processing, freight booking and order handling costs already incurred.
A longer lead time on a back order does not waive this fee.
Full details are in our Purchase Terms.
Dark Brown Upholstered Armless Chair Module with Oak Veneer Platform Base | 35 Inch | Accent Chair
The armless slipper module is the single seat unit of the June modular system -- 35 wide, 40 deep, no arm panels, the upholstered volume sitting on the same oak veneer platform base as the corner module. As a standalone piece it reads as an armless lounge seat: wide at 35 inches, very deep at 40, the low 30-inch height giving it a grounded, reclining character. No arms means the sitter's position is unconstrained at the sides, the deep seat inviting a relaxed, sideways-adjusted posture rather than a conventional upright one.
The dark brown polyester matches the corner module, making the two pieces a coherent pairing in a modular arrangement. As a standalone the slipper module works at the end of a sofa run, as a single accent seat in a bedroom, or as the piece in a reading zone where a full armchair would crowd the space. The feather, foam, and fiber fill produces the cushion depth that makes this a piece for lingering -- the seat at 40 inches deep supports both conventional seated posture and a tucked-up, fully reclined position with legs extended.
The oak veneer platform base reads as a warm material line at the floor perimeter, the wood grain visible at the base edge and providing the natural material contrast to the upholstered form above. At 35 wide the slipper module is narrower than the corner module's 40-inch square -- a longer single-seat profile rather than a square. The practical note on the depth: at 40 inches, confirm adequate clearance from the back edge to the nearest wall. At 68.6 pounds the piece is manageable for repositioning by one person.
- Dimensions: 35W x 40D x 30H inches
- Weight: 68.6 lbs
- 100% polyester upholstery -- oak veneer base -- foam, feather, and fiber fill
- Armless slipper chair module -- oak veneer platform base -- loose back and seat cushions -- dark brown polyester upholstery
35"W x 40"D x 30"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice