Dark Brown 2-Piece Concave Modular Sectional Sofa
161.4"W x 39"D x 28.3"H
Ships in : 5-10 Business Days
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Dark Brown 2-Piece Concave Modular Sectional Sofa
Dark Brown Two-Piece Concave Curved Sectional | 161 Inch | Sectional Sofa
Same large concave arc as the golden yellow version -- both ends forward, center receding, mitered end panels at each side -- in deep dark brown pile upholstery. At 161 inches in dark tone the form reads as a substantial dark mass that gathers the room toward it. The concave curve in the dark version reads with more shadow depth than in a pale upholstery: the center of the arc, slightly farther from the room, catches less direct light, and the dark pile amplifies that depth. The arc becomes more visible in the dark brown precisely because the material reinforces the spatial behavior of the geometry.
Against pale flooring or pale walls the 13-foot dark concave form reads as a strong room anchor -- the largest single piece of visual weight in the space. In a room where the other materials are running warm and medium in tone the dark brown sectional provides the deepest note. The mitered end panels in the dark upholstery read as sharp angular caps, reinforcing the composed, specific quality of the form at each end of the arc.
At 188 pounds and 161.4 inches the concave dark brown sectional is the most substantial of the Naomi configurations. Delivery path and permanent position require advance planning.
- Dimensions: 161.4W x 39D x 28.3H inches combined
- Weight: 188 lbs combined
- 100% polyester upholstery -- foam and fiber seat and back -- plywood frame
- Two-piece modular armless sectional -- concave arc configuration -- mitered angular end panels at both ends -- integrated seat and back -- no visible legs -- low profile -- dark brown polyester pile
161.4"W x 39"D x 28.3"H


Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought

The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference

The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice