Cream Armless Rolling Dining Chair, Winged Back
24"W x 26"D x 33"H
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Cream Armless Rolling Dining Chair, Winged Back
Cream Armless Rolling Dining Chair with Winged Back | 24 Inch | Dining Chair
No arms. The back is the form's defining element: curved side flanges extend from the back panel's upper edge and angle slightly forward and inward, creating a partial enclosure around the sitter's upper back and shoulders without the full wrap of a barrel form. The flanges are not traditional wings -- they don't extend above the head or project prominently outward -- but they give the back panel a three-dimensional quality that a flat-panel back wouldn't have, and they read from the front as a slightly enveloping back structure that differentiates this chair from an ordinary armless dining chair.
The seat and body are a single upholstered plinth form sitting close to the floor on small rolling casters. No separate seat cushion -- the seat is the top surface of the plinth, integrated into the continuous upholstered body. The casters allow the chair to roll without lifting, which at end-of-table positions or against a wall is a practical advantage that becomes evident in daily use rather than on first delivery. The cream fabric in this form reads as a pale upholstered volume that recedes from the table rather than competing with it.
At 24 by 26 by 33 inches the footprint is compact -- narrower and slightly deeper than a standard dining chair, which means the chairs sit closer together along a table without requiring wider spacing. At 29.7 pounds each chair is light on its casters. In a room where the dining table is a material statement, the armless form and the pale cream fabric allow the chair to be present without competing with the table's visual weight.
- Dimensions: 24W x 26D x 33H inches
- Weight: 29.7 lbs
- 100% polyester upholstery -- poplar multi-layer board and LVL frame -- high density foam
- Armless form -- curved winged back flanges -- upholstered plinth body -- rolling casters -- cream fabric
24"W x 26"D x 33"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice