Cedar Green Channeled Dining Chair with Slab Base
20.1"W x 24.2"D x 33.9"H
Ships in : 7-12 Business Days
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Cedar Green Channeled Dining Chair with Slab Base
Cedar Green Channeled Dining Chair with Upholstered Slab Base | 34 Inch | Dining Chair
Same fully upholstered monolithic form as the light brown version -- the continuous upholstery from back through seat through slab base, the vertical channel stitching, the concealed iron frame -- in cedar green, which is where this form changes register from domestic neutral to something with a specific color argument. Cedar green is a dark earthy olive with forest undertones, and at a dining table it introduces a grounded color note at the seating positions rather than a safe neutral one. The channels read with more shadow definition against the darker field -- the seam lines cast stronger contrast in this tone, giving the surface more visible texture.
In a room with pale walls and natural oak the cedar green chairs read as a composed color statement at the dining seats -- not loud, but specific. Against a dark-stained dining table they integrate as a darker companion. In lamplight the cedar green deepens toward an almost black-forest tone, settling into the room's warmth rather than receding. The form is the same from every angle; the color is the decision that makes the room.
All practical notes from the light brown version apply: the slab base footprint, the 29.5-pound pull-out weight, the lack of clearance for tucking under the table edge. In both versions the upholstered block form reads as a considered design decision rather than a standard dining chair choice.
- Dimensions: 20.1W x 24.2D x 33.9H inches
- Weight: 29.5 lbs
- 100% polyester upholstery -- iron frame -- foam
- Fully upholstered body -- vertical channel stitching -- two upholstered slab legs -- no armrests -- no exposed frame -- cedar green polyester
20.1"W x 24.2"D x 33.9"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice