Camel Upholstered Dining Chair with Fabric Legs
22.05"W x 22.44"D x 33.5"H
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Camel Upholstered Dining Chair with Fabric Legs
Camel Upholstered Dining Chair with Fabric-Wrapped Rounded Legs | 22 Inch | Dining Chair
Four rounded legs wrapped in the same camel polyester as the seat and back -- no exposed wood or metal anywhere on the piece. The legs are upholstered to the floor, thick and rounded in cross-section, splaying very slightly outward. The seat and backrest flow together as a continuous curved form: a softly rounded back top, a gently scooped seat, the transition between them smooth rather than jointed. The camel fabric is a warm sandy beige, and from any angle the chair reads as one monolithic upholstered object.
At 22.05 by 22.44 by 33.5 inches the chair occupies standard dining footprint. The fully upholstered legs distinguish it clearly from chairs with exposed base structures -- the material wraps the entire piece and the floor contact points are the only moment where the fabric ends. The camel tone integrates naturally with warm neutrals, natural wood dining tables, and linen, reading as a quiet presence without demanding attention the way pattern or high contrast would. The material is 100% polyester; it cleans easily relative to natural fabric upholstery. At 18.3 lbs it moves easily. Assembly required.
The Ella Dining Chair from Moe's Home Collection measures 22.05 inches wide by 22.44 inches deep and 33.5 inches tall. 100% polyester upholstery over iron frame construction in camel. At 18.3 lbs it moves easily. Assembly required.
- Camel polyester upholstery covers seat, back, and legs -- no exposed wood or metal frame visible
- Rounded fabric-wrapped legs, softly curved seat and back transition without a visible joint line
- Warm sandy beige integrates with natural wood tables, warm neutrals, and linen
- 22.05"W x 22.44"D x 33.5"H | 18.3 lbs
22.05"W x 22.44"D x 33.5"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice