Black Mid-Century Modern Walnut Dining Chairs Set of 2
21.25"W x 22"D x 30.75"H
Ships in : 5-10 Business Days
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Black Mid-Century Modern Walnut Dining Chairs Set of 2
Mid-Century Walnut Dining Chairs in Black Polyester, Set of 2
What the Deco dining chair from Moe's Home Collection gets right is the balance. The solid American walnut frame carries real warmth, natural finish and honest grain, and the black polyester upholstery provides just enough contrast to keep it from reading as purely casual or purely formal. It works at both ends of the dining register, which is rarer than it should be.
The profile is clean and open: a mid-height backrest with a gentle curve, an angled seat that sits at 18 inches, tapered walnut legs that reach the floor without drama. At 21.25 inches wide and 30.75 inches tall overall, the proportions hold well around most dining tables. The foam padding and angled seat give real support for long meals. Foam padding under the polyester handles the time after the food is gone without complaining. The upholstery wipes down quickly, which a dining chair used daily needs.
Mid-Century Modern Dining Chairs with Japandi Warmth
Natural walnut against charcoal black is a combination that crosses aesthetics cleanly. The form is Mid-Century Modern: the tapered legs, the curved backrest, the honest wood construction. Warm wood, dark neutral fabric, nothing embellished: that combination reads as Japandi. This is the kind of chair that looks considered rather than decorated, and it earns that read by doing the structural work behind the scenes. Sold as a set of two.
- Solid American walnut frame with walnut veneer accents over plywood core
- 100% black polyester upholstery: soft seat, easy to wipe clean
- Foam-padded curved seat and mid-height backrest
- Angled seat with tapered legs in natural walnut finish
- Overall: 21.25"W x 22"D x 30.75"H
- Sold as a set of two, 30.8 lbs per chair
21.25"W x 22"D x 30.75"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice