Antique Copper Iron Chalice Accent Table
15"W x 15"D x 19"H
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Antique Copper Iron Chalice Accent Table
Antique Copper Iron Chalice-Form Accent Table | 15 Inch | Accent Table
A turned vessel form in antique copper iron -- a wide shallow bowl at the top, narrowing at a central waist, then expanding into a tapered cone base that meets the floor. The top surface is slightly concave, a gentle curve that collects objects at center and catches the eye with its curved reflection. The antique copper finish carries warmth and slight variation across the surface, reading as both warm metal and aged bronze simultaneously. One material, one continuous surface, no seam.
At 15 by 15 by 19 inches the piece functions as an accent table or sculptural object -- the shallow concave top provides a real set-down surface for a glass or small object, while the vessel form reads as a design statement when left empty. The antique copper finish deepens in evening lamplight, the warm tone reading as more burnished and rich at lower light levels. Against pale or cool materials it reads as a warm accent note; surrounded by other warm finishes it integrates quietly. At 9.9 lbs it moves easily.
The Arthur Accent Table from Moe's Home Collection measures 15 inches wide by 15 inches deep and 19 inches tall. Iron construction in antique copper finish. At 9.9 lbs it moves easily.
- Antique copper iron, turned chalice form: wide concave bowl top, tapered cone base, no seam
- Shallow concave top provides real set-down area; reads as sculptural when empty
- Warm copper finish deepens in evening lamplight -- behaves as both table and art object
- 15"W x 15"D x 19"H | 9.9 lbs
15"W x 15"D x 19"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice