90" Light Blue Scalloped Sofa, Seats 3
89.8"W x 34.7"D x 29.6"H
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90" Light Blue Scalloped Sofa, Seats 3
Light Blue Sofa with Scalloped Wave Back and Round Ball Feet | 89 Inch | Upholstered Sofa
At sofa scale the scalloped back becomes a rolling wave. Where the accent chair had three distinct lobes, the sofa version spreads the undulating top edge across the full width -- the multiple arcs reading as a gentle continuous wave from one end to the other. The silhouette from in front is what makes the piece immediately legible from across a room: not flat, not a single curve, but a rhythmic ripple. Full rounded arms cap each end in the same flowing form as the back, and ball feet in solid rubber wood lift the base at each corner. Two seat cushions sit within the upholstered shell. The 100% polyester fabric in powder blue covers every surface in a slightly woven texture.
At 89.8 by 34.7 by 29.6 inches the sofa occupies a standard footprint. The powder blue brings a cool, airy quality -- it is typically the lightest surface in a warm material room, and it makes the scalloped silhouette more readable because the color contrast separates the form from whatever is behind it. The mistake is placing this sofa flush against a wall where the back silhouette is never seen. It reads best floating in a room with space around it. At 142 lbs it requires two people. Assembly required.
The Bria Sofa from Moe's Home Collection measures 89.8 inches wide by 34.7 inches deep and 29.6 inches tall. 100% polyester upholstery in light blue, solid rubber wood legs, solid beech and plywood frame. At 142 lbs it requires two people. Assembly required.
- 100% polyester upholstery in powder blue, scalloped multi-lobe wave back top edge
- Full rounded arms, solid rubber wood ball feet, two seat cushions
- Scalloped silhouette reads best floating in open space -- loses its character against a wall
- 89.8"W x 34.7"D x 29.6"H | 142 lbs
89.8"W x 34.7"D x 29.6"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice