71" Tall 3-Panel Acacia Wood Folding Room Divider Screen
47.5"W x 1.5"D x 71"H
Ships in : 7-12 Business Days
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71" Tall 3-Panel Acacia Wood Folding Room Divider Screen
3-Panel Solid Acacia Wood Room Divider Screen
The Multi Panel Screen from Moe's Home Collection uses cut-outs the way a good architect uses windows: not just for what they let you see, but for what they do to light. Solid acacia panels in three hinged sections carry rectangular openings of varying sizes, and those gaps shift through the day as the light moves. In the morning, strips of sun fall through onto the floor. By afternoon the pattern has migrated. With a lamp behind it in the evening, the screen diffuses warm light across the room.
The solid acacia construction gives each panel natural warmth and visible grain variation. A metal frame outlines each section and holds the panels in place. At 47.5 inches wide and 71 inches tall, the three panels cover a generous opening while reading as open and light rather than solid and dividing. The different sized cut-outs prevent the pattern from feeling mechanical or repetitive. Each opening is deliberately proportioned.
Japandi Room Divider in Solid Acacia with Light-Play Cut-Outs
The Multi Panel Screen earns its Japandi read through restraint: it defines space without filling it. The warm acacia tones keep it from reading as purely graphic. The varied cut-out sizing carries an Organic Modern sensibility, the kind of irregular rhythm that suggests natural patterning rather than a grid. It works as a room divider in open-plan layouts, an entryway screen, or a decorative backdrop for a seating area.
- Solid acacia hardwood panels with natural grain variation per piece
- Varied rectangular cut-out pattern for light play and visual depth
- Metal frame outlines each panel for clean lines and structural integrity
- Three hinged panels for flexible positioning
- 47.5"W x 1.5"D x 71"H
- 41.88 lbs
47.5"W x 1.5"D x 71"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice