60" Natural Ash Round Dining Table
60"W x 60"D x 30"H
Ships in : 5-10 Business Days
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60" Natural Ash Round Dining Table
Natural Ash Round Dining Table with Conical Pedestal Base | 60 Inch | Round Dining Table
The same conical pedestal form at full dining scale: a 60-inch round solid ash tabletop on a widened conical base. At this diameter the proportion shifts -- the 60-inch top extends further from the base footprint than the cafe version, giving the piece more architectural presence and more underfoot clearance. The form is still the same single gesture: one round, one cone, nothing added.
At 60 by 60 by 30 inches the table seats four to six depending on chair width. The conical base keeps the underfoot zone entirely clear across the full 60-inch span -- a practical benefit that four-leg alternatives at this diameter cannot offer. The natural ash grain runs continuously across the top surface, the raised edge lip at the perimeter defining the work surface boundary. The ash veneer base reads in the same tone family as the solid wood top, though the grain character differs between the two materials. The common pairing mistake with a conical-base round table is placing it in an undersized room where chairs cannot be pulled back; the base footprint is fixed and does not shift to accommodate chair positions the way four legs can. At 167.2 lbs it does not move once set. Assembly required.
The Tutto Dining Table from Moe's Home Collection measures 60 inches wide by 60 inches deep and 30 inches tall. Solid ash wood tabletop with raised edge lip, ash wood veneer over MDF conical base. At 167.2 lbs it does not move once set. Assembly required.
- Solid ash wood tabletop with raised edge lip, natural finish, 60" diameter
- Ash wood veneer over MDF conical pedestal base, no conventional legs
- Open underfoot zone across full span, seats 4 to 6
- 60"W x 60"D x 30"H | 167.2 lbs
60"W x 60"D x 30"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice