46" Brown Wood Round Dining Table
46"W x 46"D x 30"H
Ships in : 5-10 Business Days
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46" Brown Wood Round Dining Table
Dark Solid Sheesham Round Dining Table with Tapered Cone Pedestal | 46 Inch | Seats 4 Pedestal Dining Table
Sheesham in a dark finish behaves differently than walnut in a dark finish. The grain is wilder, more complex, the dark brown swirling rather than running in fine straight lines - and the deep finish here pushes all of that to the edge of visibility, the material resolving as a near-black brown field with just enough grain movement to prevent the surface from reading as flat. The tapered cone pedestal carries the same proportions as the walnut Otago version, but in this finish the base reads as dense and grounded rather than warm and natural - a different room consequence from the same geometric form.
At 46 inches the round top seats four comfortably with no fixed head position, no seat hierarchy. Single pedestal means all positions are unobstructed. In rooms built around dark or minimal palettes this table reads as part of the material direction. In rooms with lighter, warmer tones it provides the single dark anchor that prevents everything from floating. The semi-gloss surface on the cone pedestal catches light at low angles, the grain barely legible in raking light, fully disappearing in flat ambient conditions. At 107 lbs it repositions with two people. Some assembly required.
The Myron Dining Table from Moe's Home Collection measures 46 inches in diameter and 30 inches tall. Solid sheesham in dark brown finish, round top and tapered cone pedestal. At 107 lbs it repositions with two people. Some assembly required.
- Solid sheesham in dark brown finish - complex grain, deep tonal field
- Round top on tapered cone pedestal, one material throughout
- No fixed orientation - all four positions unobstructed
- Seats 4 | 46"W x 46"D x 30"H | 107 lbs
46"W x 46"D x 30"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice