18" Pink Upholstered Round Stool
18"W x 18"D x 17.75"H
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18" Pink Upholstered Round Stool
Washed Pink Upholstered Arch-Form Stool with Open Base | 18 Inch | Ottoman
Same arch form as the oat version -- two thick square legs rising from the floor with a rectangular void between them, flat padded seat at 18 square, rounded corners, continuous upholstery wrapping every surface except the arch opening, plywood frame and foam fill inside -- in washed pink. The washed pink reads as a muted, softened rose: the tone dusty and greyed enough to avoid reading as bright or saturated, warm enough to read as a color decision rather than a warm neutral. It is the pink that works in a room without announcing itself.
In a room the washed pink arch stool does something specific at the low-object level: it introduces color through an architectural form rather than a decorative one. The shape reads as design-considered and the color reads as gentle and residential. Against warm white walls and natural linen it reads as a soft accent at floor level; against natural oak or warm wood floors it reads as the room's quiet color note. The arch void in washed pink: the rectangular opening between the two legs reads as a shadow space against the warm pink tone of the surrounding form, making the gap more visible and the arch more apparent than in the oat colorway.
The washed quality of the pink means it photographs and reads at varying distances as either a pale dusty rose or a near-neutral warm tone depending on the surrounding light and materials -- the color is calibrated to move with its context rather than insisting. Foam and fiber fill, plywood frame. At 27 pounds the same handling as the oat version.
- Dimensions: 18W x 18D x 17.75H inches
- Weight: 27 lbs
- 98% polyester 2% linen upholstery -- foam and fiber seat -- plywood frame
- Upholstered arch-form stool -- two thick square legs with rectangular arch opening at base -- flat padded seat surface -- rounded top corners -- no visible frame -- washed pink polyester-linen upholstery
18"W x 18"D x 17.75"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice