119" Natural Wood Slatted Room Divider Screen, Freestanding
119"W x 3"D x 72"H
Ships in : 7-12 Business Days
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119" Natural Wood Slatted Room Divider Screen, Freestanding
119" Wide Natural Hardwood Slatted Room Divider
The brown version of the Damani screen from Moe's Home Collection does the same spatial work as the black, but the room it creates feels different. Warm natural hardwood tones across horizontal slats read with the room rather than against it. In a space with wood floors, linen panels, or rattan, the brown Damani joins the material conversation rather than anchoring it from a distance the way the black version does.
At 119 inches wide and 72 inches tall, the two-panel configuration spans nearly ten feet. That scale makes this a genuine architectural intervention in an open-plan space: a division that can hold on its own, carry wall art, and define a room within a room without a contractor. The mixed hardwood slats on a durable aluminum frame allow air to move and partial sight lines to pass through, which keeps the piece from reading as a wall despite its size.
Large-Scale Japandi Room Divider in Warm Natural Wood
Where the black Damani reads as graphic and architectural, the natural brown reads as textural and warm. The Japandi quality is in the clean horizontal rhythm and the honest use of natural wood. The Organic Modern quality is in the way warm timber tones relate to other natural materials around them. It is a screen for rooms that already have a material vocabulary and want the division to participate in it.
- Mixed hardwood horizontal slats in natural brown finish
- Durable aluminum frame throughout
- Two-panel configuration spanning 119" total width
- Frame strong enough to hang artwork and decorative objects
- Slatted design allows air circulation and partial sight lines
- 119"W x 3"D x 72"H
- 163.14 lbs total
119"W x 3"D x 72"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice