119" Black Slatted Wood Room Divider Screen, Freestanding
119"W x 3"D x 72"H
Ships in : 7-12 Business Days
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119" Black Slatted Wood Room Divider Screen, Freestanding
119" Wide Black Slatted Hardwood Room Divider
The Damani screen from Moe's Home Collection does something most room dividers are not built for: it covers a wall. At 119 inches wide and 72 inches tall, this two-panel configuration spans nearly ten feet, creating a full visual boundary between zones in an open-plan layout without the permanence of a partition wall. Mixed hardwood slats in black finish on a durable aluminum frame deliver the same clean horizontal rhythm as the Dallin, scaled up to room-dividing seriousness.
Each panel sits at approximately 60 inches wide, and the two panels together cover the full span. The slatted construction allows air to circulate and partial sight lines to pass through, which is what prevents a piece this large from feeling oppressive. The aluminum frame supports hanging artwork and objects directly on the structure. The free-standing base on each panel keeps everything stable on any floor surface.
Large-Scale Japandi Room Divider in Black Slatted Wood
The Damani is for spaces that need real division: an open-plan home office and living area, a large loft, a studio. The Japandi sensibility is in the horizontal line repetition and the restraint of a black-on-wood contrast held consistently across ten feet. The Mid-Century Modern quality is in the architectural use of the slatted form as the design element itself. At this scale, it also functions as a backdrop for a seating area, which reshapes the room in a way a divider wall cannot.
- Mixed hardwood horizontal slats in black finish on aluminum frame
- Two-panel configuration spanning 119" total width
- Frame strong enough to hang artwork and decorative objects
- Slatted design allows air circulation and partial sight lines
- Free-standing with two foot supports per panel
- 119"W x 3"D x 72"H
- 163.14 lbs total
119"W x 3"D x 72"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice