118" Oatmeal Modular Sofa with Oak Base
118"W x 40.9"D x 30.7"H
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118" Oatmeal Modular Sofa with Oak Base
Oatmeal Three-Piece Modular Sofa with Ruched Back and Arm Bolsters | 118 Inch | Sofa
Three Matina pieces assembled into a 118-inch sofa: a slipper module on each end and a center module between them. At each junction where the pieces join, the back fabric gathers into the same ruched cinch as on the individual slipper chair -- the organic gathered texture now appearing at two points across the full back, marking the seams as design moments rather than construction joints. The outer ends of the sofa carry soft rounded arm bolsters at each side position: not hard arm structures but soft rolled forms that provide a gentle side gesture at the seated position without framing the sofa conventionally.
At 118 inches and 205 pounds this is a significant sofa. The fully upholstered form -- no legs visible, all continuous oatmeal surface from floor to back -- reads as a single generous soft object rather than a frame with cushions. The depth at 40.9 inches is on the generous side, which is appropriate for a sofa that reads as lounge-oriented rather than sit-upright. The ruched back texture at both seam points rewards close attention without competing with the form's primary quality, which is its overall softness and mass.
In oatmeal the warm cream tone across 118 inches holds a wall without claiming it. This is a sofa that reads as resolved and specific, but the palette keeps it from reading as bold. Paired with the ottoman and corner chair pieces in the same series the full Matina family reads as a composed soft system.
- Dimensions: 118W x 40.9D x 30.7H inches
- Weight: 205 lbs
- 100% polyester upholstery -- foam and fiber fill -- plywood frame
- Three-piece modular sofa -- ruched gathered back at two seam junctions -- soft rounded arm bolsters at each outer end -- fully upholstered continuous form -- no visible legs -- oatmeal polyester
118"W x 40.9"D x 30.7"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice