Golden Yellow 2-Piece Concave Modular Sectional
161.4"W x 39"D x 28.3"H
Ships in : 5-10 Business Days
Choose options
Golden Yellow 2-Piece Concave Modular Sectional
Golden Yellow Two-Piece Concave Curved Sectional | 161 Inch | Sectional Sofa
The two concave sofa pieces joined to form one large continuous inward-gathering arc at 161 inches. The combined form follows a single concave curve -- center receding, both ends coming forward -- with mitered angular end panels at each side reinforcing the geometric intentionality of the plan. The back panel traces the arc as one continuous surface across both pieces, the seam visible at center but not disruptive to the overall reading of the form. At this scale the concave arc is genuinely room-defining: 13 feet of curved seating gathered around a focal point.
The gathering quality of a concave arc intensifies at sectional scale. Sitters anywhere along the span are oriented toward center, toward whatever the arc faces -- fireplace, view, dining area, television. The form does something spatially that only curved seating at this length can: it creates a room within the room, a defined interior facing outward. In an open plan the concave sectional establishes a seating zone without a wall.
In golden yellow the color fills the full arc with warm light-occupying tone. The mitered ends add edge at each terminus, keeping the scale from reading as formless. At 188 pounds this is the heaviest of the three sectional configurations -- plan the delivery path and position carefully.
- Dimensions: 161.4W x 39D x 28.3H inches combined
- Weight: 188 lbs combined
- 100% polyester upholstery -- foam and fiber seat and back -- plywood frame
- Two-piece modular armless sectional -- concave arc configuration -- mitered angular end panels at both ends -- integrated seat and back -- no visible legs -- low profile -- golden yellow polyester
161.4"W x 39"D x 28.3"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice