81" Golden Yellow Curved Modular Sofa, Convex
80.7"W x 39"D x 28.3"H
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81" Golden Yellow Curved Modular Sofa, Convex
Golden Yellow Convex Curved Sofa without Arms | 81 Inch | Sofa
The convex sofa is the arc reversed -- it bows outward toward the viewer rather than retreating. The back panel and seat front edge curve forward at the center, presenting the form rather than gathering the space around it. The end profile is soft and rounded where the concave version's ends are mitered and angular. Everything reads as gentler: rounded ends, a forward-leaning back with a soft top edge, the overall silhouette less about geometric edge and more about settled volume.
No arms, integrated seat and back, the same low 28-inch profile as the concave version. What the convex form does to a room that the concave does not: it reads as a single rounded object from any angle. From the side the seat plane bows gently forward at center, giving the sofa a slight forward gesture. In plan it reads as a lens or boat shape rather than a crescent. Where the concave sofa orients and gathers, the convex one simply presents itself -- broader, more settled, easier in a conventional room arrangement.
In golden yellow at 80.7 inches wide the color reads warm and forward. The rounded ends and soft back edge give the color form a generous, enveloping quality. At 89.5 pounds slightly lighter than the concave version at identical dimensions.
- Dimensions: 80.7W x 39D x 28.3H inches
- Weight: 89.5 lbs
- 100% polyester upholstery -- foam and fiber seat and back -- plywood frame
- Armless convex curved sofa -- forward-bowing arc plan -- soft rounded end profile -- integrated seat and back -- no visible legs -- low profile -- golden yellow polyester
80.7"W x 39"D x 28.3"H


Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought

The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference

The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice