71" Brown Wood Oval Dining Table
71"W x 43"D x 29.5"H
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71" Brown Wood Oval Dining Table
Walnut Veneer Oval Dining Table with Tapered Cone Pedestal | 71 Inch | Seats 6 Pedestal Dining Table
The oval form paired with a single centered pedestal produces a table with no fixed orientation - no obvious head, no implied hierarchy. The walnut veneer surface is consistent in tone, warm brown with the fine straight grain characteristic of walnut, continuous across the 71-inch length. Below it the tapered cone pedestal in matching walnut veneer widens toward the floor, the geometry more mushroom than column - the mass distributed at the base, the transition from pedestal to top reading as smooth and deliberate. One material, one finish, throughout.
An oval single-pedestal table solves the corner-seating problem that round tables create at larger diameters - the long ends of the oval seat two comfortably where a round of similar area would crowd them. At 71 by 43 inches it fits rooms that would feel tight with a comparable round. The walnut tone reads warmly in daylight and shifts toward deeper amber under evening lamp. At 123.2 lbs it is manageable for a solid-feeling dining table, repositionable with two people when the room needs to change. In rooms that carry other warm wood tones the walnut veneer reads as a natural continuation; in rooms built around cooler or neutral palettes, it provides the single warm material note the space needs.
The Otago Oval Dining Table from Moe's Home Collection measures 71 inches wide by 43 inches deep and 29.5 inches tall. Walnut veneer top and tapered cone pedestal. At 123.2 lbs it repositions with two people. Some assembly required.
- Walnut veneer top and tapered cone pedestal, matching finish throughout
- Oval top - no fixed orientation, all positions unobstructed
- Single centered pedestal - seats at long ends unobstructed
- Seats 6 | 71"W x 43"D x 29.5"H | 123.2 lbs
71"W x 43"D x 29.5"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice