62" Black Dining Bench
62"W x 16"D x 17"H
Ships in : 5-10 Business Days
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62" Black Dining Bench
Black Solid Oak Dining Bench with Slab Ends | 62 Inch | Black Wood Bench Seat
The black finish changes the consequence of this bench without changing its form. The slab-end construction is the same: two flat rectangular oak panels meeting the seat at a clean right angle, no decorative hardware, no taper. In black the oak grain is still visible under the stain, the surface has depth, a slight variation between lighter and darker areas of grain that keeps it from reading as painted. At 17 inches tall and 62 inches wide it seats two for dining, or holds a corner of a foyer without consuming it.
Beside a natural wood dining table the black bench creates immediate contrast, the same material conversation in opposite registers. Beside a dark or ebonized table it reads as part of a unified material direction. Either pairing works; the choice determines the room's register. Under evening lamp the black oak surface absorbs light rather than reflecting it, which gives the bench a quiet, receding quality, present but not assertive. The practical advantage of slab-end construction over leg-and-apron is structural: solid end panels do not rack or loosen the way traditional leg joinery eventually does. The bench gets more stable over time, not less.
The Post Small Dining Bench from Moe's Home Collection measures 62 inches wide by 16 inches deep and 17 inches tall. Solid oak in black finish. Slab-end construction. At 74.8 lbs one person can position it. Some assembly required.
- Solid oak in black finish
- Slab-end construction, no decorative hardware
- Oak grain visible through black stain
- 62"W x 16"D x 17"H | 74.8 lbs
62"W x 16"D x 17"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice