60" Black Round Dining Table
60"W x 60"D x 30"H
Ships in : 5-10 Business Days
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60" Black Round Dining Table
Black Round Solid Mango Wood Dining Table with Conical Pedestal | 60 Inch | Round Pedestal Dining Table
The form here is elemental, a round top, a single conical pedestal, one material, one finish, one color. The pedestal is wide at the base and tapers as it rises to meet the underside of the top, the shape more mushroom than column, the transition from base to surface reading as continuous rather than structural. Solid mango wood throughout, the black finish sitting in the grain so the texture of the wood is still present: you know it is wood rather than lacquer, and in direct light the grain shows clearly through the color.
At 60 inches and a single centered pedestal, all four chair positions are fully unobstructed. The round form seats four without crowding, five comfortably, no fixed geometry, no implied head of the table. The conical base has more visual mass at the floor than a simple column would, which grounds the piece without making it feel heavy from above. At 64 lbs this is light for a solid wood dining table; it repositions easily, which changes how the room can work around it. In rooms that already carry dark pieces, ebonized wood, black iron, dark stone, this table reads as part of the same material direction. In predominantly pale rooms the all-black form reads as the single dark anchor.
The Cember Dining Table from Moe's Home Collection measures 60 inches in diameter and 30 inches tall. Solid mango wood in black finish. Conical tapered pedestal base. At 64 lbs it repositions easily. Some assembly required.
- Solid mango wood in black finish, grain visible through finish
- Wide conical tapered pedestal base
- Round top, seats 4-5, all positions unobstructed
- 60"W x 60"D x 30"H | 64 lbs
60"W x 60"D x 30"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice