34" Two Birds Framed Wall Art
34"W x 1.38"D x 26"H
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34" Two Birds Framed Wall Art
Two White Birds Acrylic Painting on Dark Ground in Wood Frame | 34 Inch | Framed Wall Art
Two large white birds face each other against a flat dark charcoal ground, their forms rendered with the kind of attention that distinguishes natural history illustration from decorative painting: each feather individually worked, the amber-toned bill and the rust-colored crest of the left bird held in sharp detail against the surrounding white plumage. No landscape, no environment. The subject is entirely the birds.
At 34 by 26 inches in a warm walnut-toned solid wood frame the piece reads as a single strong object on the wall, the dark ground extending to the painted canvas edges with nothing to soften the contrast. On a pale wall the effect is immediate. This is wall art that functions as presence rather than decoration -- the two subjects face each other at close distance, the composition feeling specific in a way that generic landscape prints do not. In a room with leather, dark wood, and brass the dark ground integrates naturally into the material palette; in a lighter modern space the dark field reads more directly as a statement. Acrylic on polyester canvas, ready to hang. At 4 lbs it mounts easily.
The Two Cranes Framed Painting from Moe's Home Collection measures 34 inches wide by 1.38 inches deep and 26 inches tall. Acrylic paint on polyester canvas, solid wood frame in walnut tone. At 4 lbs it mounts easily.
- Acrylic paint on polyester canvas, natural history-style bird study on dark charcoal ground
- Solid wood frame in warm walnut tone, ready to hang
- High-contrast figurative composition, horizontal format
- 34"W x 1.38"D x 26"H | 4 lbs
34"W x 1.38"D x 26"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice