That item has been discontinued, but here are similar options.
A mirror is the one thing in a room that gives back light instead of holding it, which is why in a japandi bathroom it does more than reflect a face. Placed against a matte wall, it doubles the daylight and the wood tones already in the room, so a small space reads calmer and deeper without a single extra fixture.
The frames here follow the restraint that runs through our wider japandi furniture: thin wood surrounds, soft rounded edges, and finishes that stay warm rather than chrome-bright. A mirror framed this way sits into the wall as another quiet plane, not a shiny interruption.
Size the mirror to the piece below it
The most common mistake is hanging a mirror to fill the wall rather than to answer the furniture under it. A mirror reads best when it relates to what it sits above, whether that is a vanity, a console, or a bench.
Above a vanity
Over a sink, keep the mirror a little narrower than the japandi bathroom vanities beneath it, so the wood of the vanity frames the glass on both sides. A mirror that runs wall to wall loses the calm border that makes the pairing feel intentional. Center it on the basin, not the wall, if the two do not line up.
Round or rectangular
A round mirror softens a room full of straight lines and reads gently in a Japandi space; a rectangle reinforces the horizontals and suits a wider vanity. Choose by what the room already has too much of, then pick the shape that relaxes it.
Frame, finish, and the warmth of the wood
Japandi frames stay thin and low-contrast. A pale oak or a darker walnut surround warms the reflection and ties the mirror to the other wood in the room. Avoid a heavy ornate frame; the point is a clean edge that lets the reflection, not the frame, do the work. Where the room runs cool, a warm wood tone pulls it back toward comfortable.
Beyond the bathroom
The same mirror earns its place by the door. In a japandi entryway a mirror is the last thing you check on the way out and the piece that bounces daylight into a hallway that rarely has a window of its own. Hang it above a console or a bench, at a height that catches the face rather than the ceiling, and the entry feels twice as open.
Placement and light
Hang a mirror where it reflects something worth doubling, a window, a plant, a run of wall, rather than a closed door or a cluttered corner. The reflection becomes part of the room, so aim it at the calm.
The quiet a mirror keeps
A good mirror in a Japandi home is almost invisible until you need it. It reads as light and depth, not as an object, and it carries the same warm restraint whether it hangs over a basin or a bench. That is the test: a mirror you notice for the room it gives back, not for the frame around it.











