96" Natural Amber Oak Rectangular Dining Table
96"W x 40"D x 30"H
Ships in : 5-10 Business Days
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96" Natural Amber Oak Rectangular Dining Table
Amber Oak Dining Table with Flat Slab Legs | 96 Inch | Sandblasted Solid Oak Table
The sandblasted finish is the specific quality that separates this table from a standard oak dining table. Sandblasting opens the grain slightly, the pores become visible, the surface has a texture you can feel, the matte appearance carries a depth that a plain smooth finish does not. The amber tone places the oak in a warmer register than pale natural but well short of any red or orange tone: it reads as sun-warmed wood rather than stained. Two flat slab legs, plain rectangular panels, no taper, no profile detail, support the top from beneath.
At 96 inches and two slab legs the table takes up floor space cleanly. No leg at the ends, seating positions along the sides fully unobstructed. The minimal leg form keeps the whole table reading as surface, the top dominates, which is correct when the texture of that surface is the thing worth noticing. Under afternoon light the sandblasted grain catches directionally and shifts slightly in appearance depending on the viewing angle, a quality smooth-sanded finishes do not produce. In rooms with other natural materials this table lands as honest material at the scale where it rewards the most attention. At 212 lbs professional delivery is recommended.
The Koshi Dining Table from Moe's Home Collection measures 96 inches wide by 40 inches deep and 30 inches tall. Solid oak in sandblasted amber finish. Flat rectangular slab legs. At 212 lbs it requires professional delivery. Some assembly required.
- Solid oak in sandblasted amber finish
- Open-grain surface, matte, tactile quality
- Flat rectangular slab legs, no taper
- Seats 8-10 | 96"W x 40"D x 30"H | 212 lbs
96"W x 40"D x 30"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice