Queen Oat Upholstered Bed with Arched Headboard (FO-1037-05-0) by Moe's Home Collection
73"W x 73"D x 50"H
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Queen Oat Upholstered Bed with Arched Headboard (FO-1037-05-0) by Moe's Home Collection
Oat Upholstered Queen Bed with Organic Wave Headboard and Ash Frame | 50 Inch | Bed
The headboard form is the bed's entire design argument. The top edge does not resolve into a simple arch or a horizontal line but traces an organic wave -- a gentle undulation that rises toward the center and settles at each side in a composed curve that reads as living rather than geometric. Around this wave silhouette, a warm brown ash wood frame follows the outline precisely, creating a defined border of solid wood around the upholstered interior panel. The result is a headboard that reads as a framed object: the ash wood outlining the form's organic edge with material precision, the pale oat upholstery filling the interior in warm cream. At 50 inches high the headboard is a commanding presence at the bedroom wall.
What this form does in the bedroom: from the room's entry the organic wave and the ash frame are immediately visible as the room's primary design event. Against pale plaster the oat and ash read in the same warm-neutral register -- the headboard's presence felt more as form than as color, the wave silhouette doing the work rather than tonal contrast. In morning daylight the ash frame catches directional light across its grain face, the warm wood border visible as a material texture distinct from the upholstered panel within it. In warm bedside lamplight the oat develops a honey cast and the ash deepens together, both materials moving toward the warm end of their tonal range at the evening hour.
The low platform base carries the same oat upholstery from the floor level to the point where it meets the mattress -- the bed reading as one continuous material form from base to headboard peak. The platform sits close to the floor with no visible legs; the mattress height above the room's floor plane is lower than a traditional frame arrangement. The ash wood frame on the headboard is the form's structural commitment and its visual condition: the wave silhouette the frame traces requires a clear pale wall behind it. A competing pattern or texture at the wall collapses the form's legibility. Pale, uncluttered, and clear is not optional here -- it is what the form requires to read at its full intent.
- Dimensions: 73W x 85D x 50H inches
- Weight: 149.5 lbs
- 100% polyester upholstery -- ash frame -- foam and fiber
- Queen bed -- organic wave headboard -- ash wood border frame -- low platform base -- oat polyester
73"W x 73"D x 50"H
Not sure? Order stone top and vanity finish samples ($20)—100% refundable with your vanity purchase. Order Here
Design With Confidence
Choosing the right texture is the most important part of your renovation. Order wood finish or stone top samples for $20 each to experience the quality in your own light. These sample purchases are 100% refundable because we provide a full credit for up to five samples back to you when you purchase your James Martin vanity through our store. Once your samples are on their way, we will email you a unique credit code to be applied at checkout. Samples typically arrive within 5 to 7 business days.
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice