Queen Green Upholstered Bed with Arched Headboard (FO-1037-16-0) by Moe's Home Collection










73"W x 73"D x 50"H
Choose options
Queen Green Upholstered Bed with Arched Headboard (FO-1037-16-0) by Moe's Home Collection










Sage Green Upholstered Queen Bed with Organic Wave Headboard and Ash Frame | 50 Inch | Bed
Same organic wave headboard form as the oat version -- the ash wood frame tracing the undulating top edge as a defined warm-brown border around the upholstered interior panel, the low platform base, 50 inches of headboard height at the bedroom wall. In sage green the upholstery reads entirely differently from the cream version. The green is a muted, earthy tone -- somewhere between sage and olive, reading as warm and grounded rather than cool and diffuse. Against pale plaster the green headboard is a color commitment rather than a tonal one: it introduces a specific atmosphere to the bedroom that the oat version does not and cannot simulate.
What the green version does that the oat cannot: it makes the bed the room's dominant design decision. A pale oat headboard can belong in almost any room without claiming ownership of it; the sage green version at 50 inches of headboard height establishes the bedroom's atmosphere before anything else is considered. The ash wood frame reads against the green as a warm brown counterpoint -- two earthy, organic materials in the same tonal family, the wood border adding warmth and definition to the green panel rather than contrasting against it coldly. In warm bedside lamplight the green deepens toward olive, the headboard reading at its most settled and atmospheric at the evening hour when the room's light is low and warm.
The platform base in the same sage green upholstery carries the color from the floor level to the headboard's peak, the entire bed form reading as one material and color intention. Rooms that pair most naturally with this version are rooms already committed to the earthy-warm range: warm wood floors, plaster walls, natural fiber rugs. The pairing mistake is same-tone bedding -- the sage headboard reads best when the bedding introduces a clear contrasting tone, allowing the green surface to register against it. Pale linen, off-white cotton, and warm undyed natural tones at the bed surface all serve the green headboard well. The ash frame requirement is the same as the oat version: a clear, pale wall behind the headboard is not a preference but a condition of the form.
- Dimensions: 73W x 85D x 50H inches
- Weight: 149.5 lbs
- 100% polyester upholstery -- ash frame -- foam and fiber
- Queen bed -- organic wave headboard -- ash wood border frame -- low platform base -- sage green polyester
73"W x 73"D x 50"H
Not sure? Order stone top and vanity finish samples ($20)—100% refundable with your vanity purchase. Order Here
Design With Confidence
Choosing the right texture is the most important part of your renovation. Order wood finish or stone top samples for $20 each to experience the quality in your own light. These sample purchases are 100% refundable because we provide a full credit for up to five samples back to you when you purchase your James Martin vanity through our store. Once your samples are on their way, we will email you a unique credit code to be applied at checkout. Samples typically arrive within 5 to 7 business days.


Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought

The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference

The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice