Queen Dark Brown Upholstered Bed (LX-1097-20-0) by Moe's Home Collection
72.5"W x 72.5"D x 84"H
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Queen Dark Brown Upholstered Bed (LX-1097-20-0) by Moe's Home Collection
Dark Brown Acacia Four-Poster Bed with Leather Headboard Panel | 84 Inch | Bed
The bed's four posts are its entire architectural argument. Each one is a substantial round cylinder of dark brown acacia rising from the floor to 84 inches -- well above mattress and headboard level, the posts extending into the room's upper air as a canopy frame. At the top, horizontal rails connect all four posts in a continuous rectangular structure, completing the canopy form without fabric or drape: an open four-poster that reads as furniture-as-architecture rather than bed-as-object. The posts occupy more than half the height of a standard bedroom, their dark presence visible from the room's entry as the space's defining vertical element.
Between the two rear posts a leather panel serves as the headboard -- warm cognac leather held within the dark acacia structure, the tan against the near-espresso wood providing the form's one material contrast. The leather panel is modest in height relative to the post height above it -- the posts continue past the headboard top as dominant verticals, the headboard reading as the bed's material warmth within the structural architecture rather than its primary design feature. The low acacia frame surrounds the mattress, the sleeping surface settled within the four-post structure. In morning directional light the round posts cast clean cylindrical shadows onto the wall and floor. In warm lamplight the near-dark acacia deepens further, the four posts becoming the room's darkest verticals at the hour when dark materials settle most fully.
The four-poster canopy form requires specific room conditions. Ceiling height matters: at 84 inches of post height, a standard 8-foot ceiling leaves 12 inches of clearance above the top rail, which reads as compressed. Taller ceilings let the posts breathe at their full intent. The bed's footprint at 72.5 by 92.5 inches requires clear floor area around all sides before surrounding furnishings are placed. The leather headboard develops patina with use -- the cognac tone changing character slowly, reading richer and more personal as it ages. Maintain acacia surfaces with wood-care products; condition the leather periodically.
- Dimensions: 72.5W x 92.5D x 84H inches
- Acacia wood -- leather headboard panel
- Queen bed -- four-poster canopy frame -- round cylindrical corner posts -- leather headboard panel -- dark brown acacia
72.5"W x 72.5"D x 84"H
Not sure? Order stone top and vanity finish samples ($20)—100% refundable with your vanity purchase. Order Here
Design With Confidence
Choosing the right texture is the most important part of your renovation. Order wood finish or stone top samples for $20 each to experience the quality in your own light. These sample purchases are 100% refundable because we provide a full credit for up to five samples back to you when you purchase your James Martin vanity through our store. Once your samples are on their way, we will email you a unique credit code to be applied at checkout. Samples typically arrive within 5 to 7 business days.
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice