Queen Brown Upholstered Bed (BZ-1145-03-0) by Moe's Home Collection











66"W x 84"D x 40.6"H
Ships in : 5-10 Business Days
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Queen Brown Upholstered Bed (BZ-1145-03-0) by Moe's Home Collection











Warm Brown Mango Wood Queen Bed with Woven Tatami-Mat Headboard and Footboard
The tatami-mat headboard is the central design move. A full-width woven panel, the same fine-grid texture as the nightstand and dresser in this series, sits within the rounded mango wood frame, which sweeps in a continuous arc at the top corners. The mango frame reads as both border and structural element simultaneously. The footboard carries the same logic at a lower height: woven panel, rounded corners, consistent material throughout. What this creates is a bed where both ends carry visual texture rather than the typical arrangement of a featured headboard against an afterthought footboard.
The 40.6-inch headboard height is restrained, tall enough to function as a backrest for sitting up, not so tall that it reads as architectural in rooms with lower ceilings. Round-section mango legs at the floor. At 189.2 lbs assembly requires two people. The warm brown tone is consistent across frame, woven panels, and legs, which gives the bed a unified reading. That uniformity is an advantage when the bedding and room textiles are intended to carry the color: this bed stays warm and present without competing.
The Rye Queen Bed from Moe's Home Collection measures 66 inches wide by 84 inches deep and 40.6 inches tall. Solid mango wood frame with tatami-mat over MDF headboard and footboard panels. At 189.2 lbs it requires two people to assemble. Mattress and box spring not included. Some assembly required. Queen size.
- Solid mango wood frame in warm brown
- Tatami-mat over MDF headboard and footboard panels
- Fully rounded top corner profile on headboard
- Round-section mango wood legs
- Queen size | 66"W x 84"D x 40.6"H | 189.2 lbs
66"W x 84"D x 40.6"H


Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought

The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference

The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice