Natural Oak Spindle-Back Counter Stool (QO-1026-24) by Moe's Home Collection
20.8"W x 22"D x 40.5"H
Choose options
Natural Oak Spindle-Back Counter Stool (QO-1026-24) by Moe's Home Collection
Natural Paper Cord Woven-Back Counter Stool on Oak Frame | 41 Inch | Counter Stool
Same arched paper cord back and cream polyester seat as the dining chair version, raised to counter height at 40.5 inches. The woven dome arch at this height reads above the counter surface rather than behind a tabletop, which means it becomes visible as a room accent at mid-height rather than disappearing below a table edge. Against a white or stone kitchen island the natural oak frame and paper cord back provide the warm organic material note the counter surface cannot -- the woven texture introducing a natural element at a level that is fully visible from the kitchen's working and gathering positions.
The proportions shift at counter height: the legs are longer relative to the back height, giving the stool a slightly more upright reading than the dining chair version. The arched back remains the same woven dome form -- the paper cord grid, the softened arch profile -- in the same natural light oak frame. The cream seat provides the soft landing between the woven back and the structured oak legs.
The practical trade-off with a woven back at counter height: the back is at a position where it gets more incidental contact than a dining chair back. Paper cord is durable and holds its woven structure well, but the surface reads differently from padded upholstery in terms of back support during extended seated use. At 18.7 pounds each the stool is manageable for repositioning at an island.
- Dimensions: 20.8W x 22D x 40.5H inches
- Weight: 18.7 lbs
- Upholstery: 100% polyester seat -- solid oak frame -- paper cord woven back
- Armless counter stool -- arched dome back woven in paper cord -- upholstered cream polyester seat -- solid oak frame and legs -- natural light oak finish
20.8"W x 22"D x 40.5"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice