Light Brown Counter Stool with Bronze Iron Frame (YM-1023-21) by Moe's Home Collection
21.5"W x 22"D x 37.4"H
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Light Brown Counter Stool with Bronze Iron Frame (YM-1023-21) by Moe's Home Collection
Light Brown Upholstered Counter Stool with Bronze Iron Frame | 21 Inch | Counter Stool
Same design family as the dining chair -- same tubular bronze iron frame, same floating back cushion, same leather-wrapped arm ends -- elevated to counter height where the longer legs make the exposed structure more legible. At 37.4 inches tall, the four cylindrical legs dominate the lower portion of the silhouette, and an H-shaped footrest connects them at mid-height: a structural necessity at this scale that reads as part of the frame's architectural logic rather than an afterthought.
More of the frame is visible at counter height, more bronze is in the composition, and the pale upholstery reads as a floating element within a warm metal structure rather than as the dominant material. The back cushion holds the same visual position relative to the seat as in the dining chair, but the greater distance from seat to floor gives the whole piece a more vertical, considered presence. The leather arm ends remain the detail that makes the frame feel resolved rather than purely functional.
At a kitchen island or bar-height counter, this reads as considered furniture rather than standard counter seating. The arm rails mean it needs clearance from adjacent stools and from the counter edge. The bronze tone requires a room that can receive warm metals -- in a kitchen with chrome or stainless it will look like a mistake.
- Dimensions: 21.5W x 22D x 37.4H inches
- Weight: 23.2 lbs
- Back and seat: 100% polyester; arm ends: 100% top grain leather -- iron frame -- foam
- Exposed tubular bronze iron frame -- floating back cushion -- leather-wrapped arm ends -- H-shaped footrest
21.5"W x 22"D x 37.4"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice