King Oat Upholstered Bed with Arched Headboard (FO-1038-05-0) by Moe's Home Collection
86"W x 86"D x 50"H
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King Oat Upholstered Bed with Arched Headboard (FO-1038-05-0) by Moe's Home Collection
Oat Upholstered King Bed with Organic Wave Headboard and Ash Frame | 50 Inch | Bed
At king scale -- 86 inches wide -- the organic wave headboard and its ash wood border frame span the full primary wall between the nightstand positions. The wave's top edge, which reads as a contained legible undulation at queen width, now sweeps across a wider horizontal field: the center rise and the settling at each side playing out over a longer canvas, the ash frame tracing that wider curve in one continuous warm-brown outline. Against a pale plaster bedroom wall the pale oat upholstery and the ash frame read in the same warm-neutral register across 86 inches of headboard -- the room's full sleeping wall absorbed into the bed's material and form.
What king width does to this form: the wave is more gradual and expansive, the ash frame's arc more horizontal in its sweep, the overall reading at the primary wall shifting from contained object to wall-spanning architecture. The headboard at this scale mediates between the sleeping surface and the wall with a presence a smaller version cannot deliver. In morning light the ash frame catches the directional light across its grain as a warm border defining the wave's outline. In warm bedside lamplight the oat develops its honey cast across 86 inches, the large headboard face becoming the room's warmest and most settled surface in the evening.
The low platform base in the same oat upholstery reads as one continuous material form from the floor level to the headboard's peak at 50 inches. At 186 pounds and 86 by 88 inches the bed's full footprint requires a bedroom with genuine floor area and clear delivery access before surrounding furnishings are placed. The wall condition is the same as the queen but more pressing at this scale: pale, clear, and uncluttered behind the full span of the ash frame. At 86 inches the headboard claims most of the visible wall surface above and behind the bed; a competing texture or pattern behind the ash frame collapses what the wave silhouette is doing at full intent.
- Dimensions: 86W x 88D x 50H inches
- Weight: 186 lbs
- 100% polyester upholstery -- ash frame -- foam and fiber
- King bed -- organic wave headboard -- ash wood border frame -- low platform base -- oat polyester
86"W x 86"D x 50"H
Not sure? Order stone top and vanity finish samples ($20)—100% refundable with your vanity purchase. Order Here
Design With Confidence
Choosing the right texture is the most important part of your renovation. Order wood finish or stone top samples for $20 each to experience the quality in your own light. These sample purchases are 100% refundable because we provide a full credit for up to five samples back to you when you purchase your James Martin vanity through our store. Once your samples are on their way, we will email you a unique credit code to be applied at checkout. Samples typically arrive within 5 to 7 business days.
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice