King Brown Upholstered Bed (BZ-1146-03-0) by Moe's Home Collection
82"W x 84"D x 41"H
Ships in : 5-10 Business Days
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King Brown Upholstered Bed (BZ-1146-03-0) by Moe's Home Collection
Warm Brown Mango Wood King Bed with Woven Tatami-Mat Headboard and Footboard
Same form as the Queen, wider by sixteen inches. The tatami-mat headboard, fine woven grid in warm brown, set within a rounded mango wood frame, now spans king width, which shifts the headboard proportion from nearly square to clearly horizontal. That change makes it read more architectural from across the room: less of an object, more of a presence along the wall. The footboard holds its lower profile. Both ends carry the same material language, woven textile surface within a continuous-arc mango frame, which gives the bed a finished quality from every vantage point in the room.
At 41 inches the headboard height stays well under the scale that would compete with ceiling or window height in most bedrooms. The woven tatami surface catches ambient light differently than upholstered fabric, less reflective, warmer in tone under lamp light, slightly cooler in morning daylight. That material behavior changes subtly across the day in a way that plain fabric does not. At 224 lbs this is the heaviest bed in the series and a two-person assembly job without exception. Position it before nightstands, rugs, or any surrounding furniture is placed.
The Rye King Bed from Moe's Home Collection measures 82 inches wide by 84 inches deep and 41 inches tall. Solid mango wood frame with tatami-mat over MDF headboard and footboard panels. At 224.14 lbs it requires two people to assemble. Mattress and box spring not included. Some assembly required. King size.
- Solid mango wood frame in warm brown
- Tatami-mat over MDF headboard and footboard panels
- Fully rounded top corner profile on headboard
- Round-section mango wood legs
- King size | 82"W x 84"D x 41"H | 224.14 lbs
82"W x 84"D x 41"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice