Dark Grey Dining Chairs Set of 2 (BC-1016-25) by Moe's Home Collection
21"W x 21"D x 31"H
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Dark Grey Dining Chairs Set of 2 (BC-1016-25) by Moe's Home Collection
Mid-Century Walnut Dining Chairs in Dark Grey, Set of 2
Dark grey polyester on a natural walnut frame sits in a considered middle ground: not as high-contrast as black, warmer in register than white. In a room with warm neutrals on the walls or floor, the dark grey reads as depth without weight. The walnut frame carries the warmth the fabric does not need to provide. That balance is harder to achieve than it looks.
The structure is solid American walnut with walnut veneer accents over a plywood core; the same disciplined construction throughout the Deco line. Foam padding under the polyester seat and backrest prioritizes comfort for long meals, which is the right call for a dining chair. The full dimensions sit at 21 by 21 by 31 inches. The easy-clean polyester handles the reality of daily use without demanding attention.
Mid-Century Dining Chairs with Japandi Softness in Dark Grey
The Deco from Moe's Home Collection belongs to Mid-Century Modern in its silhouette: the mid-height backrest, the angled seat, the tapered walnut legs. In dark grey polyester, it carries a softer edge than the black version. That is a Japandi kind of decision: choosing grey over black to reduce drama and let the warm wood do more of the work. The result is a chair that reads as deliberately quiet, suited to dining rooms where the table, the textiles, or the light are doing the heavier visual lifting. Sold as a set of two.
- Solid American walnut frame with walnut veneer accents over plywood core
- 100% dark grey polyester upholstery: soft, supportive, easy to wipe clean
- Foam-padded curved seat and mid-height backrest
- Angled seat with tapered legs in natural walnut finish
- Overall: 21"W x 21"D x 31"H
- Sold as a set of two, 30.8 lbs per chair
21"W x 21"D x 31"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice