Brown 3-Drawer Nightstand (BZ-1143-03) by Moe's Home Collection
31.75"W x 19.75"D x 30.5"H
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Brown 3-Drawer Nightstand (BZ-1143-03) by Moe's Home Collection
Warm Brown Mango Wood Nightstand with Woven Tatami-Mat Drawer Fronts | 3 Drawers
The tatami-mat drawer fronts are what give this nightstand its character. The woven surface has a fine, tight grid texture, closer to a structured textile than the looser weave on rattan furniture, and the warm brown tone sits between the carved density of the solid mango frame and the slightly coarser texture of the woven panels. From across the room it reads as a warm-toned nightstand with a surface quality you notice without quite identifying. Up close, the material relationship between the rounded mango frame and the flat woven fronts is more considered than most bedside pieces at this scale.
The mango frame has fully rounded corners at the top, not just softened edges but a continuous arc sweeping from side to top, like a pair of handles framing the three-drawer stack. Three drawers at 31.75 inches wide gives this piece a more expansive footprint than a standard nightstand, which changes the visual balance at bedside: it reads closer to dresser proportions than table proportions. Worth measuring before placing. Under warm evening lamp the woven fronts go darker and the mango grain behind them goes amber, the two materials read as one warm surface rather than two distinct elements.
The Rye 3 Drawer Nightstand from Moe's Home Collection measures 31.75 inches wide by 19.75 inches deep and 30.5 inches tall. Solid mango wood frame with tatami-mat woven drawer fronts. At 104.8 lbs it is stable and dense. Some assembly required.
- Solid mango wood frame in warm brown
- Tatami-mat woven drawer fronts
- 3 drawers
- Fully rounded top corner profile
- Round-section legs
- 31.75"W x 19.75"D x 30.5"H | 104.8 lbs
31.75"W x 19.75"D x 30.5"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice