Beige Channel-Stitched Counter Stools Set of 2 (UU-1002-34) by Moe's Home Collection
17.7"W x 20"D x 37"H
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Beige Channel-Stitched Counter Stools Set of 2 (UU-1002-34) by Moe's Home Collection
Beige Channel-Stitched Counter Stool with Black Legs Set of Two | 18 Inch | Counter Stool
Counter height in beige -- the same channel-stitched shell at 37 inches, with the footrest rail connecting the legs at mid-height and the pale upholstered seat sitting above the slim dark frame. In beige at counter height the relationship between fabric and metal reads differently than it does at dining height: more of the black frame is visible from standing eye level, and the pale shell floats higher above it. The vertical channel lines on the seat and back face upward toward a standing person in a way they don't when you're at the same height as the chair.
At a kitchen counter in a predominantly light room, the beige reads as a continuation of the material palette -- the shell recedes and the black frame is the only distinct tonal element. The footrest rail in black reinforces that frame presence further. In a kitchen with darker counters or cabinetry, the beige reads as a deliberate contrast accent at seated height. Both readings work; which is the right one depends entirely on what the kitchen already has.
At 17.7 by 20 by 37 inches and 12.5 pounds per stool, these are practical in size and weight. The counter height falls between the dining chair and bar stool in this series, and the three heights together can furnish a combination dining and kitchen island layout using the same design language throughout without matching too precisely.
- Dimensions: 17.7W x 20D x 37H inches
- Weight: 12.5 lbs per stool
- 95% polyester, 5% nylon upholstery -- metal legs -- foam
- Vertical channel-stitched shell -- four angled black metal legs -- footrest rail -- sold as a set of two
17.7"W x 20"D x 37"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice