87" Oatmeal Bun Sofa with Feather Cushions (AZ-1005-05) by Moe's Home Collection
86.6"W x 86.6"D x 27.5"H
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87" Oatmeal Bun Sofa with Feather Cushions (AZ-1005-05) by Moe's Home Collection
Flecked Oat Channeled Bun Sofa | 87 Inch | Bun Sofa
The form is the whole argument here. Low profile, no exposed frame, no visible structure -- just a rounded silhouette that wraps the back and sides into one continuous curve with the arms subsumed into the overall mass. The channeled back and gathered upholstery give it texture within the softness, keeping it from reading as simply amorphous. In flecked oat fabric, the surface catches light variably: warmer in morning sun, slightly more cream in shade, and distinctly honeyed in evening lamplight. The faint linen component in the weave gives the texture its depth.
The construction justifies the price point in ways you can't see. Spring suspension beneath the foam and feather/fibre fill means this sofa has real give -- not the firm resistance of dense foam, but actual depth. The feather/fibre top layer does require occasional reshaping, which is the honest trade-off for seating this soft. The low seat height of 27.5 inches means the surrounding furniture needs to be relatively low as well, or the room reads as unresolved.
At 86.6 inches across, this fills a room. The mistake is surrounding it with equally rounded, equally soft elements -- cloud sofa, organic rug, rounded coffee table, billowing cushions. The form earns its place when there's enough geometric contrast around it: a table with clear angles, a rug with defined borders, some vertical architectural line to hold the eye above the low sweep.
- Dimensions: 86.6W x 39.3D x 27.5H inches
- Weight: 120.5 lbs
- 90% polyester, 10% linen upholstery -- spring suspension with feather, fibre, and foam fill
- Pine and plywood frame -- low rounded bun silhouette in flecked oat
86.6"W x 86.6"D x 27.5"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice