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SKU: FI-1126-16

7"W x 7"D x 2"H

Sale price$79.00 USD Regular price$114.00 USD
7" Sage Glass Catchall Tray (FI-1126-16) by Moe's Home Collection image
7" Sage Glass Catchall Tray (FI-1126-16) by Moe's Home Collection Sale price$79.00 USD Regular price$114.00 USD

Description

Muted Sage Cast Glass Square Catchall with Circular Recessed Bowl | 7 Inch | Catchall

The same square cast glass form in muted sage -- a flat slab, circular recessed bowl at center, flat rim at the perimeter. Where the amber version glows warm and coppery, the sage reads as cool and earthy, closer to frosted glass than fully transparent. The muted green tone sits in a quieter register: not saturated, not opaque, more like sea glass or the interior of an old bottle than a jewel-tone accent.

At 7 by 7 by 2 inches the proportions are identical to the amber version. The sage tone integrates readily into rooms with pale neutrals, natural stone, or plant material where the color has easy context. Placed on a marble surface the translucent green glass picks up the ambient color around it; on a dark wood surface it registers as the room's cool material note. The muted saturation keeps it from reading as a statement color -- a supporting tone rather than a focal one.

The Miro Glass Catchall in muted sage from Moe's Home Collection measures 7 inches wide by 7 inches deep and 2 inches tall. Cast glass construction. At 7.7 lbs it places easily.

  • Muted sage cast glass, square form with circular recessed bowl at center
  • Earthy, slightly frosted green tone reads as cool and quiet -- supporting rather than focal
  • Integrates naturally with pale stone, warm neutrals, and plant material
  • 7"W x 7"D x 2"H | 7.7 lbs
MCM Dark wooden bed in a bedroom with a lamp and decor
Mid-century modern wooden desk with laptop, mug, and office supplies in a room with large windows and abstract art on the wall.

Meet the Maker

Moe's Home Collection:Forty Years of Furniture With a Point of View

Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.

That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.

A Design House, Not a Furniture Factory

The Pieces Feel Found - Not Simply Bought

Sara and Moe Jr

The Origin

A Family That BuiltSomething From Nothing

Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.

In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.

His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.

The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.

The goal was never perfection. It was presence.

Moe's Is Built for PeopleWho Notice the Difference

The Craft

Material First - Trend Second

Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.

The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.

The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.

- Moe's does not source furniture. It curates it.

The Designer's Choice

The Quiet Partner BehindNorth America's Finest Rooms

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