64" Dark Brown Oak Two-Tier Coffee Table (FC-1017-20) by Moe's Home Collection
64"W x 48"D x 16"H
Choose options
64" Dark Brown Oak Two-Tier Coffee Table (FC-1017-20) by Moe's Home Collection
Dark Brown Oak Two-Tier Coffee Table | 64 Inch | Coffee Table
Two wide slabs -- one at the top, one close to the floor -- connected by two flat internal panels in the center. That's the entire structure, and at 64 by 48 by 16 inches it makes a considerable horizontal statement. The dark brown oak is consistent throughout: top surface, lower shelf, and connecting panels all share the same grain direction and finish depth. In a room with low seating, the table reads as a grounded, layered form -- the lower shelf visible beneath the top, both surfaces in view at the same time.
The lower shelf is a practical element that often gets treated as a design detail and used accordingly. At 64 inches of length, it handles actual storage: books, baskets, a tray -- kept relatively spare to avoid closing off the visual gap between the two tiers. That gap is what makes the piece feel architectural rather than simply heavy. Without it, the two slabs would read as a single mass. The open center is what gives the form its legibility.
At 215 pounds, this table is not moving once placed. The footprint is 64 by 48 inches -- larger than many coffee tables and right at the edge of what a standard living room arrangement can accommodate. Measure the approach from all sides before committing, and account for the lower slab's full footprint rather than just the top. The dark brown finish suits rooms with other dark material notes; in an all-light room, this piece becomes the visual anchor whether or not that was the intention.
- Dimensions: 64W x 48D x 16H inches
- Weight: 215 lbs
- Oak veneer over MDF -- solid oak
- Two-tier slab construction -- dark brown finish -- open center between tiers
64"W x 48"D x 16"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice