63" Black Coffee Table (ZY-1029-02-0) by Moe's Home Collection
62.5"W x 30"D x 16.25"H
Choose options
63" Black Coffee Table (ZY-1029-02-0) by Moe's Home Collection
Black Aluminum Oval Coffee Table with Cylinder Column Legs | 62 Inch | Modern Metal Coffee Table
The oval aluminum top is flat, low, and dark. Three cylindrical column legs in a contrasting finish are grouped toward the center rather than placed at the perimeter, an asymmetric positioning that gives the table a compositional quality most oval coffee tables do not carry. At 62.5 by 30 inches the surface is generous for its category; at 16.25 inches the height is correct for standard sofa seating. All aluminum throughout, which keeps the piece notably light at 70 lbs relative to its footprint.
The cylinder legs read differently than tapered or splayed legs do. At this scale they reference an architectural vocabulary, columns supporting a slab, that most furniture at this price point avoids entirely. The dark oval top and the contrasting leg finish create a clear material conversation visible from across the room. Under warm lamplight the oval surface catches reflection at the center while the columns cast small circular shadows below them. In rooms that carry other metalwork, iron hardware, brass fixtures, dark framing, this reads immediately as part of the same material register. The piece is one of the more versatile metal coffee tables in the collection: low enough to work in deep sofas, visually light enough to work in smaller rooms.
The Nicko Coffee Table from Moe's Home Collection measures 62.5 inches wide by 30 inches deep and 16.25 inches tall. Aluminum top and cylindrical legs in black finish. At 70 lbs it repositions easily. Some assembly required.
- Aluminum top and legs in black finish
- Oval top, cylindrical column legs
- Grouped center leg placement, asymmetric composition
- 62.5"W x 30"D x 16.25"H | 70 lbs
62.5"W x 30"D x 16.25"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice