62" Brown 6-Drawer Dresser (BZ-1144-03) by Moe's Home Collection
61.75"W x 19.75"D x 30.6"H
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62" Brown 6-Drawer Dresser (BZ-1144-03) by Moe's Home Collection
Warm Brown Mango Wood 6 Drawer Dresser with Woven Tatami-Mat Drawer Fronts | 62 Inch
Same material logic as the nightstand, scaled to dresser width. The tatami-mat drawer fronts, fine woven grid surface, warm brown, cover six drawers arranged in two columns of three, all contained within the same rounded mango wood frame. At nearly 62 inches wide the horizontal face is substantial, and the woven texture across that full width creates a visual depth that plain-faced dressers rarely carry: the surface absorbs light rather than reflecting it, which keeps the piece from reading as a heavy, flat rectangle despite its mass.
The mango wood frame sweeps in a continuous arc at the top corners, the same rounded profile as the nightstand scaled up. Round-section legs at the floor. At 182.6 lbs this lands as a permanent placement. The surface height at 30.6 inches works well for what people put on top of dressers, lamp, mirror, tray. In a bedroom that already carries natural materials alongside it, the woven fronts add a textile register without competing for attention. The challenge for this piece is avoiding too much woven or textile layering nearby: linen bedding plus woven wall art plus tatami drawer fronts starts to read as thematic rather than composed.
The Rye 6 Drawer Dresser from Moe's Home Collection measures 61.75 inches wide by 19.75 inches deep and 30.6 inches tall. Solid mango wood frame with tatami-mat woven drawer fronts. At 182.6 lbs it requires two people to position. Some assembly required.
- Solid mango wood frame in warm brown
- Tatami-mat woven drawer fronts
- 6 drawers in 2-column, 3-row arrangement
- Fully rounded top corner profile
- Round-section legs
- 61.75"W x 19.75"D x 30.6"H | 182.6 lbs
61.75"W x 19.75"D x 30.6"H
Meet the Maker
Moe's Home Collection:Forty Years of Furniture With a Point of View
Some brands earn trust loudly. Moe's has never needed to. The evidence shows up in rooms, season after season, in pieces that end up feeling more considered than their owners quite anticipated. More grounded. More alive.
That doesn't happen by accident. It happens because someone decided, a long time ago, that material and craft were worth the extra conversation, and never really stopped having it.
A Design House, Not a Furniture Factory
The Pieces Feel Found - Not Simply Bought
The Origin
A Family That BuiltSomething From Nothing
Moe Samieian Sr. arrived in Canada with an engineering degree and almost nowhere to use it. So he sold rugs at road shows, worked on commission, and learned the retail floor through years of direct customer contact.
In 1986 he opened his first store in Vancouver. Walking the trade shows, he kept noticing the same thing: most furniture looked identical. So he started hunting for pieces with something to say. Antiques. Flea-market finds. Objects with texture and history. More stores followed, and in 1999 he moved decisively into wholesale.
His children Sara and Moe Jr. carried that instinct forward. Not what merely sells. What resonates. That distinction still drives every collection.
The materials earn their place. Wood warms the edges. Stone steadies the eye. Steel adds tension. Glass lets the composition breathe. A hand-worked surface keeps a modern room from feeling too resolved.
The goal was never perfection. It was presence.
Moe's Is Built for PeopleWho Notice the Difference
The Craft
Material First - Trend Second
Every collection is designed in-house, then built through a manufacturing network developed over decades. Vietnam, India, Italy, Poland, Canada, the USA. Not the lowest-cost option in any of those places. Long-term makers who've been held to the same standards long enough that the standards stopped needing to be explained.
The construction is what you'd expect from that kind of relationship. Solid hardwood frames. High-density foam. Hardware that doesn't announce itself by failing early. These are not selling points so much as baseline expectations that a lot of furniture quietly fails to meet.
The materials go further than that. Acacia grain that no engineered surface comes close to replicating. Stone that grounds a room both visually and physically, which are different things and both matter. Mixed metals chosen for tension rather than coordination. FSC-certified wood and responsible sourcing throughout, though the more honest argument for it shows up over time, in how the pieces age rather than what the spec sheet says.
- Moe's does not source furniture. It curates it.
The Designer's Choice